An independent reference for people learning photography on their own. It is not a school or studio and has no connection to the former site on this domain; we do not sell courses or photo shoots.

Resources

Useful resources

Teaching yourself photography doesn't take a big budget: what matters is shooting regularly, having good examples in front of you and getting an honest outside view. In this section we describe the kinds of resources available and how each one helps at different stages. We don't name brands, platforms or software: it is more important to understand which resource you need right now and to learn to tell solid material from loud advertising.

A photographer's most valuable textbook is their own archive, as long as they return to it with questions and not just with pride.

— Editor's note

How this section works: we list the types of resources — textbooks and reference books, museums and exhibitions, photo clubs and communities, online courses, processing software and your personal archive — and explain what each is good for. We don't name or rate specific publications, services or programs.

Types of resources

Six types of resources that together make up self-directed photography learning.

Introductory textbooks

A good textbook explains exposure, optics, light and composition in a logical order and backs them up with examples. Look for books with exercises and photo critiques. Many titles are available in public libraries.

Lessons

Museums and exhibitions

Prints on a gallery wall look different from images on a phone screen. At an exhibition, linger in front of a few works and try to work out where the photographer stood, what the light was like and what they left out of the frame.

Methods

Photo clubs and communities

Group walks and critiques help you see your photos through other people's eyes. What counts is friendly, specific feedback: what works, what gets in the way and why, rather than just "I like it" or "I don't".

Questions

Online courses: how to choose

A course is useful when you need structure and regular assignments. Check whether it includes reviews of participants' work and practice, not just videos. Study the syllabus and sample lessons first, then decide.

Topics

RAW converters and editors

A RAW converter develops files and adjusts exposure, colour and contrast; an image editor is for retouching and complex edits. A simple converter is enough to start with: what matters more is understanding what each slider does.

RAW basics (in Russian)

Your archive and contact sheets

A contact sheet is a page of small copies of every frame from a shoot. Looking through it, you see how you approached the subject and where the best moment was. Sort your photos by date and theme and keep copies in two places.

Practice

How to choose a course or textbook

  • See what the material actually teaches: does it include assignments and photo reviews, not just theory?
  • Check the sequence: the basics of exposure and light should come before advanced processing
  • Assess the examples: the author's photos should illustrate the explanations, not merely impress
  • Watch out for material that turns into advertising for particular gear or software
  • Be wary of promises of "professional level in a week" or a "secret setting"
  • Before spending time and money, look through the syllabus and any sample chapters or lessons
  • Topics

    Landscape, portrait, street and documentary, still life at home, night and phone photography. Plus the article catalogue.

  • Lessons

    Core lessons: exposure, focus and depth of field, light, composition, colour and white balance, RAW and developing.

  • Questions

    Answers about this reference, about gear and camera settings, and about how to study and practise on your own.

Sources

  • Introductory photography textbooks: exposure, optics, light and composition
  • Materials from photography history museums

Information on exposure, optics, light and processing is given in general terms, based on introductory photography textbooks and the materials listed in the sources. Camera settings depend on the scene and your intent, so test the advice on your own photos.